Sorry peeps, haven't been on for a while.
Well, here we go. The course notes weren't up to much, not the end of the world, but, I have enough pics of anatomy, the rest of the notes really consisted of just lists of things covered. It became pointless asking questions as the answers just veered off into digression mode. There were too many anecdotes that went on for too long for my liking. I don't think it's appropriate for a tutor to eat and check emails in class instead of helping the students with their new skills. There were people working on me that just had didn't get the techniques and weren't given the help they needed. There were a few of us felt quite dispondant with it. I believe a course should have a set structure to it instaed of taking detours. Art is a great bloke, very talented has a fantastic touch, but I just felt there was not enough structure.
However, I have been able to just switch to myofacial release and do it predominently with private clients. I only really do standard massage at the football club. The results are amazing, very quick usually and much easier on the body. MFR is very slow by nature and really does enable you to connect with the client. I almost go into a semi hypnotic state when using it, each treatment becomes a journey. It's a very intuitive way of working, you can be lead quite easily by the clients tissue, amazing how far away you can end up working from the site of the problem.
There were some real pearls of knowledge that I have been able to take away from the classes, but more through chance and luck and my stubboness when it comes to getting things right.
Thing is, it gives you the all important piece of paper to practice the techniques legally.
Hairy people. For MFR I find it makes very little difference, hairy or not. I find I only really use oil on people with dry skin and funnily enough, the oil enables me to grip the tissue of these people. I do tend to get just a tiny amount of grape seed oil on my hands and more or less just rub it in to my own hands completely, then transfer it to my forearms etc. The trick, I find is sinking to the correct level. If you don't sink past the level of the skin, hair pulling usually is the result. The angle of attack is important also. I use quite a shallow angle with MFR, obviously, the object is to work obliquely to drag tissue along rather than crushing it against bone.
In Art's dvd's he recommends standard massage strokes to warm the area up. The opposite was the case on the course. He stated he never really bothers with it. So, neither do I ;o) Be aware that there were quite a few differences between the dvds and the course. It seems the dvds are sort of outdated now. But with this type of work, there is plenty of scope to be creative and develop your own way of working.
Hope that helps.
Kevin